She was acting in accordance to the gods, giving proper burial to the dead. Creon has made himself godlike, that he is incapable of making mistakes and all other opinions fall upon a deaf ear.
In the play the citizens of Thebes agree with Antigone, not Creon. From this conflict Antigone is to be entombed while alive. This not only affects Antigone but Haemon as well, since they were to be married. At first, Creon was sure of his actions and approved of all events.
It is not until the end that Creon heeds the words from Tiresias the prophet. Creon decides to free Antigone only when it is too late. He has paid for his pride and unwavering decision. Her reason for defiance was her beliefs in the gods and that in the afterlife following the laws of man do not precedence over the laws of gods. Creon has defied the gods with his decree, not allowing burial of Polyneices. He oversteps his power and acts as if he were a god, not making any mistakes and having no need for input from others.
If he wanted to be right and act in accordance to the law of the gods he would have allowed the burial, instead of making his foolish decision, which cost him the lives of Haemon and Antigone. For instance, he is more concerned with preserving certain values of law rather than the good of the city. Another aspect of Antigone is the concept of kinship. Kinship could be defined as a group that perceives their social universe as divided into two opposed spheres of moral alignment.
On one hand, there is the familial domain, on the other, the sphere on non-kinship. Warfare between kin is considered a heinous crime, for example, the brothers Eteocles and Polyneices murdering one another on the battlefield. In the act of honoring her brother, Antigone performs the function of woman and warrior at once. She is not only doing what a kinswoman should, and could do, but also what a warrior would do.
Sourvinou-Inwood distinguishes two dominant action plots: When a reference is made to mourners, these are mostly women; when to burial, they are men Hamilton, In addition, in carrying out funeral rites for her brother, Antigone creates a terrible conflict between herself and Creon.
This brought up the issue of proper burial in Greece, and there is evidence that there are two types of funerals for the dead. One is the familial funeral; the other the public or grand one. This has proved to be apparent nowadays because there are small graveside scenes with family, and relatives.
However, there are also funerals that are massively orchestrated to that of somebody such as John Kennedy Hamilton, Moreover, in honoring Polyneikes, she honors the womb. She believes until the end that she did the right thing. Why does Antigone not allow Ismene to join her in her death sentence? Antigone does not want her sister laying claim to an act that was solely hers for two reasons: What is the role of the Chorus?
The Chorus is meant to reflect the conscience of Thebes — they are the elders who expect Creon to guide them towards wisdom.
As they lead him astray, they begin to sense this and reflect their feelings in their choral poems. Antigone 12 December
- Antigone– Characterization This essay will illustrate the types of characters depicted in Sophocles’ tragic drama, Antigone, whether static or dynamic, flat or round, and whether portrayed through the showing or telling technique.
Free Essay: In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King.
Essays and criticism on Sophocles' Antigone - Critical Essays. Antigone essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Antigone by Sophocles.
Free essay on Antigone. Free example essay writing on Antigone. Free sample essay on Antigone. Find other free essays, research papers, term papers, dissertations on Antigone . Free Essay: The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has.